PRESENTATION From the drawing, Bilbao has been settling Agustn a slide substrate to opt for the study of human face, which seems to have found far right of expressions. The nature, however much you try, jams get caught. At best, it allows for interpretation, but imposes the rules. Bilbao Agustn travs interprets the reality of matter, transformndola another dramtica different reality and human, that even natural coming from making new identity and, therefore, new life. The important thing is the balance of forms, Javier Urquijo (El Mundo, March 2002) The work of Agustin Bilbao looking expression strength and forthright in all its manifestations. Color works with deft strokes achieving a harmonic effect and full of sensitivity. Nurture manipulate materials to achieve beauty extract a hidden, latent, which is revealed in surprising ways in games of volumes, NJ (Revistart, n 66, year 2002) AB is a skillful portraitist who know understand the language of the authentic light sensitivity, besides looking very close to realism-poster, other effects apparently secondary, as some intentionality dramtica, scenic, in the wave of neo-expressionist realism, Javier Urquijo (El Mundo, March 2003) A. Bilbao paid according to the scholars, special care in finishing works . The degree of detail of the pieces aproximacina reveals a degree of reality, in many cases dreamlike character. Throughout its production, moves between reality and utopia. Leo predominates in all his paintings, while his figures to choose the refractory clay, wood and alabaster. The pieces of great originality, try to surprise the viewer. The artist's goal is that the audience look and see something more than physical. Elizabeth Partridge (El Correo Digital, January 2003) A. Bilbao in his portraits get that we introduce a few centimeters below the surface mere packaging. Also sculptures speak of events beyond the purely plastic. Similar to what happens to her paintings, her sculptures have a constant and fixed bill, whether in the case of wood carving, clay modeling refractory or cast in bronze. Portraits or portraits seem almost where the human figure is the main element, or in the body, bust, is support for other objects to other events sometimes imaginary. Iaki Bilbao (Professor of painting Basque Country University, 2003) "The study of the face is to Agustn Bilbao a key to his art, his far right of expressions. After a long career in teaching and many exhibitions The Agustn Getxo Bilbao joins the creators to display their works in the online magazine Rick ... " (The Ra's Leisure, April 2004) Investigate each material, study their possibilities and choose the order that most agrees to the idea to express. Because Agustn Bilbao has an inclusive vision of art, not a product of and for satellites, but as essentially human manifestation pursuing marriage especially intimate with nature, from which come out mud, the wood or that primitive stone, this is a sort of conciliatory pantesmo according to which everything should be in its genuine state. Perhaps it is a utopian concept of art, but he willingly works every day to reach the goal, while keeping his feet firmly on the ground. Zorrozua Esther, June 4, 2004 CURRICULUM Agustn BILBAO EXHIBITION 2000: Collective individual sculpture, with the group Talde Crafts Fair in Getxo. 2000: Collective individual sculpture, with the group Talde in Exhibition Hall of the Cultural Hall Algorta, Getxo. 2001: Collective painting and sculpture with the group in Exhibition Hall Antzezaleak Classroom Culture Algorta, Getxo. 2001: Collective individual sculpture exhibition hall of the Aula de Cultura de Romo, Getxo. 2002: Individual painting and sculpture, Room Portal Goi, Plentzia. 2002: Collective individual sculpture exhibition hall of the Aula de Cultura de Romo, Getxo. 2002: Collective individual sculpture, Galera Juan Larrea, Bilbao. 2003: Individual painting and sculpture, Exhibition Hall Classroom Culture Algorta, Getxo. 2003: Collective painting, Exhibition Hall Cultural Classroom Algorta, Getxo. 2004: Individual in the network. Address: www.margencero.com. Madrid. 2004: Collective painting, Exhibition Hall Cultural Classroom Algorta, Getxo. 2004: Individual in the network. Address: www.nosoloarte.com. Argentina. 2004: Individual in the network. Address: www.euskonews.com. San Sebastian. 2004: Individual in the network. Address: www.123soho.com. New York. USA. 2004. Individual network. Address: www.artindustri.com. United Kingdom. 2005: Collective painting, Exhibition Hall Cultural Classroom Algorta, Getxo. 2005. Individual network. Address: www.artabus.com. France. 2006: Individual Painting Exhibition Hall Barrainkua CVIC Centre, Bilbao. PUBLICATIONS 2006. Drawing of the writer and literary critic Stephen Vizinczey. Basque Country Press July 15. 2006. Drawing on newspaper BILBAO, cultural supplement Prgo-la, No 209 November 2006. Formation 1978. Degree in Philosophy from the University of Deusto. He has taught for 23 years. Prepared in Getxo drawing workshops and New York. Workshops in watercolor and read in Getxo. Ceramic sculpture workshops in Getxo. In workshop in stone carving and sculpture in Navarra. In the workshop of wood carving and sculpture in Getxo. He has been Secretary of the Board of the co-academic artists of Getxo, Vizcaya, Antzezaleak. He is a member of this group. Work artistic activity, especially the portrait to read and ceramic sculpture, bronze, stone and wood. Berango, December 2006 Agustn Bilbao